🟠 HARVINK / Z-shape / postmodern hard glass coffeetable / Netherlands 80s

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Post modern coffee table, model Z, by the Dutch company Harvink, 80s / Post moderne salontafel, model Z, van de Nederlandse meubelmaker Harvink, 80. De tafel heeft een krachtig architectonisch vormgegeven frame van zwart metalen ronde buizen met daarop een hardglazen plaat.

Conditie: goede vintage conditie. Glasplaat is gaaf. Het frame heeft aan de onderzijde enkele lichte beschadigingen/strepen (zie foto).

Afmetingen: breed 97 cm, diep 97 cm, hoogte 37 cm

Code: T2301

Post modern coffee table, model Z, by the Dutch furniture maker Harvink, 80. The table has a powerful architecturally designed frame of black metal round tubes with a hard glass plate on top. Good vintage condition. Glass plate is intact. The frame has some light damage/stripes at the bottom (see photo).

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🟡 HERBARIUM

Sturdy coffee table consisting of a curved plywood frame and inlaid with ceramic tiles with leaf and flower motifs (Herbarium). The cocktail table stands on four round removable legs.The so-called “Garrigue” tiles were produced with a technique in which real leaves were pressed into the clay and fell apart during baking, leaving a finely detailed print. Roger Capron is the best-known designer of these tables for Atelier Callis in the Vallauris region of France. The table is not provided with a hallmark.

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Rare postmodern 80s table with a special construction designed by the Dutch architect Koen van Velsen (1952). The table has a solid wooden top with white Formica finish and a tapered table edge. The top is supported by a minimalist chromed steel frame on a weighted metal base and a continuous tension cable that keeps the table in balance. The tension cable is tensioned/fixed to three threaded rods with nuts. At the top, this connection is visible through three metal rosettes. Special conceptual version of a dining table.

Koen van Velsen (1952) is an architect from Hilversum, Netherlands known for his design work on the Discothèque Slinger, rehabilitation center Groot Klimmendaal and the library in Zeewolde. His work employs a contextual design approach, free of a personal esthetic (Wikipedia)

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